The ideas for my paintings emerge as emotions. My task is to turn those emotions into images. I do this by playing on the viewer’s empathy, sympathy, curiosity and sense of humor. My paintings are figurative, presenting people in varying degrees of self-awareness. I am interested in how people behave alone as well as how they present themselves to others when they want to make a specific impression. These are the two main contexts I have used in exploring this; presenting people in moments of isolation, and presenting them in performance.

Ultimately, the figures are the metaphors for psychological states. Their body language conveys feelings of discomfort and vulnerability, anticipation and trepidation, solitude and melancholy. I seek out the right actors to portray these themes. In this way my work is collaborative. I rely on other people to express my ideas. In the end, however, it is my emotions that I want to convey through them.

My use of paint is at once loose and precise so as to be visually satisfying without intruding upon the image. The medium and surface work to convey a sense that what is on display is frozen in significance. The element of craft implies authorship but the lack of stylization suggests they are neutral documents. As the artist, my role is to step back to let the painting take the stage and let the viewer have the experience.